The structure
THE DESIGN CONCEPT
Gabriele and Oscar Buratti sign the design concept of the Museum.
The spaces, different and related, are characterized by three colors: the white of the building that emerges from the urban fabric with strong architectural cuts. The red, psychedelic and alienating, which welcomes visitors and takes them to the place of emotions. The black that underlines the objects on display so that they stand out and are protagonists like precious jewels.
Learn more
The museum has three aisles rhythmically arranged by a series of columns. The floor is conceived as a road surface on which the white dotted middle strips have been painted. In the side aisles are the saloons on one side and the coupés on the other, lined up as if they had been parked waiting to get back on the road; the central aisle houses the spiders, staggered on two lanes, ideally in motion along the road.
We need to be very precise, from the general idea to the last detail, to find the right balance between strength and delicacy, between functioning and emotion, between poetry and prose, where beauty is extreme synthesis.
Buratti
Like a chest
Gabriele and Oscar Buratti sign the design concept of the Museum.
The spaces, different and related, are characterized by three colors: the white of the building that emerges from the urban fabric with strong architectural cuts. The red, psychedelic and alienating, which welcomes visitors and takes them to the place of emotions. The black that underlines the objects on display so that they stand out and are protagonists like precious jewels.
Forever on the street
The museum has three aisles rhythmically arranged by a series of columns. The floor is conceived as a road surface on which the white dotted middle strips have been painted. In the side aisles are the saloons on one side and the coupés on the other, lined up as if they had been parked waiting to get back on the road; the central aisle houses the spiders, staggered on two lanes, ideally in motion along the road.
emotion
